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Through the clamor and din of Potter-wannabes comes the clear, true voice of a wonderful new writer, using the language of fantasy and music to tell her thrilling tale.
Calwyn has lived all her life behind the high ice-wall that guards the sisters of Antaris from the world of Tremaris. The sisters practice ice chantment -- one of the Nine Powers of chantment, a form of magic worked through music. But when Calwyn finds an Outlander man fallen, wounded, through the wall, she is drawn to him ... and drawn into a wondrous, dangerous adventure that takes her outside the wall and to the limits of her own powers, as she, the Outlander Darrow, and others unite to defeat the sorcerer Samis, who seeks to claim all Nine Powers and become the Singer of All Songs.
- Sales Rank: #624376 in Books
- Published on: 2004-03-01
- Original language: English
- Number of items: 1
- Dimensions: 1.04" h x 6.28" w x 9.20" l, 1.16 pounds
- Binding: Hardcover
- 304 pages
Amazon.com Review
Aussie author Kate Constable has brought a music inspired fantasy to the States that is on a par with celebrated works like Edith Pattou's East, and The Golden Compass, by Philip Pullman. In The Singer of All Songs, young Calwyn is a Daughter of Tarsis, an order of priestesses who have mastered the ice call--a singing power over cold and frost. She lives with her sisters behind an enormous wall of ice that separates their small valley from hostile neighbors in the tensely divided lands of Tremaris. This seemingly impervious barrier is breached by a wounded "Outlander" named Darrow, who comes to the priestesses with a wild tale about an evil Sorcerer named Samis who has sworn to learn the Nine Chantments of the separate lands of Tremaris so that he can rule them as the powerful Singer of All Songs. When the elder priestesses dismiss his rantings and ord! er his sacrifice to the Goddess, Calwyn becomes determined to save his life and join his quest. Together, the two new friends travel into dangerous territories, assembling a rag tag crew of comrades along the way who agree to help prevent Samis from mastering the Nine Chantments. Constable has bewitchingly reinterpreted pagan lore for a new generation, and Singer will easily find an appreciative audience amongst devotees of Tamora Pierce and Garth Nix. Although the pacing of the novel is decidedly measured in places, it only helps the reader appreciate the author's rich characterizations and imaginative settings. Young fantasy fans will find much to sing about in this first installment of a planned trilogy. --Jennifer Hubert
From Booklist
*Starred Review* Gr. 7-10. Tremaris is a broken world, whose peoples "were divided by the gods, each against the others, into their separate lands." It's also a magical world, but its magic has been likewise divided; each realm has been granted one of eight "chantments" (powers worked through song). Cloistered behind a wall of ice, Calwyn is a novice priestess in one of the last remaining realms to practice its ancient chantment: ice-call, the ability to control all things cold. When a man breaches the wall and brings news of a sorcerer who aims to rule Tremaris by becoming the Singer of All Songs, a master of every chantment, Calwyn becomes a key member of a small band determined to thwart his plot. The villain meets his end in a confrontation that is too swiftly resolved to be wholly satisfying, but Constable's detailed vision of her world, the precise way its magic operates, and her extremely likable cast help the story transcend the rather familiar parameters of its primary conflict. Fans of Ursula K. LeGuin will recognize echoes of Earthsea (especially The Tombs of Atuan) in Tremaris, but instead of objecting to the similarities, they will welcome Constable's respectful reinvention--and eagerly anticipate the next two installments in her Chanters of Tremaris trilogy. An impressive debut by an author who clearly has much to contribute to the fantasy genre. Jennifer Mattson
Copyright © American Library Association. All rights reserved
Review
School Library Journal
(April 1, 2004; 0-439-55478-0)
Gr 6 Up-In Tremaris, a world with three moons, Chanters are sorcerers who can sing nine different types of magic. Calwyn, a soon-to-be priestess of "icecall" in the women-ruled Antaris, longs to travel beyond the wall that separates her country from the rest of the world. She gets her wish when she meets Darrow, a wounded ironcraft sorcerer who has somehow managed to enter Antaris. Darrow is in flight from Samis, an evil sorcerer who would control the world by learning all nine powers of Chantment. As Calwyn defies her priestess sisters to join Darrow and other companions who would defy Samis, she begins to realize that her own powers extend beyond that of icecall. The story contains elements of many great fantasy novels, including handsome, tormented sorcerers and scrappy urchins who reveal potent powers of their own. The landscape is vivid and fully realized, but the characters are sometimes static. Some of the plot devices seem overly familiar, but others are reworked and have the appeal of variants of well-loved fairy tales. Fans of Tamora Pierce's "Lioness" books (Atheneum) as well as Marion Zimmer Bradley's Mists of Avalon (Ballantine, 1984) will welcome the first book in this new trilogy from Australia.-Farida S. Dowler, formerly at Bellevue Regional Library, WA Copyright 2004 Reed Business Information.
Voice of Youth Advocates
(April 1, 2004; 0-439-55478-0)
Constable makes a solid debut in the United States with the first installment of The Chanters of Tremaris Trilogy. Calwyn, sixteen, is a novice ice priestess in Antaris, a land bound by an enormous wall of ice maintained by the priestesses through their sung chantments. Orphaned as an infant, her father unknown, Calwyn sings her chantments and tends bees; Antaris is the only world she has ever known. The routine of her life is disrupted when Darrow, an ironcrafter, makes his way over the wall while fleeing from Samis, a power hungry sorcerer-who happens to be his closest friend. Calwyn's life becomes bound up with Darrow's as they leave Antaris and set out across Tremaris to try to find a way to stop Samis. They acquire several companions along the way, each with a special gift. Constable's descriptive and detailed narrative is reminiscent of fellow Australian Garth Nix's writing but not quite as finely honed. The story carries itself well, although it occasionally slows. The plot does not founder, however, and it is compelling enough to keep the reader turning pages. Constable also is not afraid to let the story develop naturally, even where the fate of her characters is concerned. These characters are well rounded and complex, with authentic emotions and responses. There is a finished feel to the book, a sense of completion, even though the reader knows that there is more to come. This feeling of resolution is satisfying while piquing curiosity for more.-Donna Scanlon.
Publishers Weekly
(March 1, 2004; 0-439-55478-0)
Constable's debut novel, the first of a planned trilogy, takes place in a world where the song of the human voice is the carrier of strong magic. In the secluded kingdom of Antaris, hidden from the rest of the world by an enormous ice Wall, 16-year-old Calwyn keeps bees and prepares to become a full priestess, learning the power of song-spell "chantments." She finds an injured Outlander inside the Wall, and although the women of Antaris are suspicious (could he be a sorcerer, chanting spells used by the desert-dwelling Merithurans? Or perhaps a worker of the winds from Firthana?), Calwyn befriends Darrow and learns that he is being pursued by the sorcerer Samis, who seeks to be emperor of all Tremaris and, indeed, to be the fabled Singer of all Songs, "as powerful as the gods themselves." Moving outside the Wall, the story turns to a fast-paced nautical adventure, leading up to an unexpect
Most helpful customer reviews
0 of 0 people found the following review helpful.
Love it!!
By Krista
I just found out about this author so I thought I should try out this series. And I have to say, I LOVE this book. The story alone is very creative and it's so well written that when I read, It felt as though I transported into that world. This is the kind of book I can see myself reading over and over again!!
14 of 16 people found the following review helpful.
A Pleasant Read
By Greta
Kate Constable's first book is an overall pleasant read. It tells of Calwyn, who lived in Antaris where women learn the chantment Ice-call. This magic is performed by singing, and is one of nine forms of chantment in the world. She leaves the cloistered Antaris and goes on a voyage with the Sorceror Darrow, travelling to many places in order to defeat Samis, who is trying to take over the world by mastering each of the nine forms of chantment.
There were two major flaws in the book. This first was that the minor characters lacked depth. Even though a good part of the book centered on the death of a minor character, I did not feel attached to him or sad about his death. This is common for first novels, and I expect it to improve in the sequel. The second flaw was that the plot resolved itself fairly predictably. Veteran fantasy readers will find no suprises in the last hundred pages. However, I expect that as Constable gains confidence, this, too, will change in the second and third volumes.
Overall, the prose is enjoyable, and the main characters are likeable. This book is recommended for light reading during down time.
0 of 0 people found the following review helpful.
(kid at heart)
By A Customer
This review is in response to 'Jennifer Mo "ailanna"'s review. The Singer of All Songs, while not Shakespeare, is the most refreshing fantasy I've come across in a long while. It does share some traits with about every other fantasy book--a group of very different characters who somehow end up on the same quest, a bad guy who's trying to take over the world, a 16-year-old, spunky, magically gifted, herione of uncertain parentage, etc.--yet these somewhat cliche traits are far outweighed by the many good, new aspects of Constable's book.
By far the best part of the book is the setting. Constable has created a fantasy world very different from any I've come accross so far. The many cultural details are woven seamlessly into the story--details like the priestesses' names for each combination of Tremaris' three moons. What is even more impressive, Constable has created several different cultures within Tremaris, each with its own appearance, customs, climate, and magic.
Speaking of magic--the way Constable uses magic in this book is another of its strong points. Usually, the hero(ine)s of fantasy books perform magic either 1)by reciting spells, as in Harry Potter, 2)by using magical objects, as in The Prydain Chronicles, or 3)by calling on some "power" naturally inside them, as in The Dark is Rising. Magic through singing, or "chanting" (bringing to mind our word "enchantment") is a concept rarely found in fantasy. The physical limitations of this type of magic--men cannot be windworkers because their voices cannot hit the notes--sometimes seem a little silly, yet its performance usually is very dignified and mysterious (and who says you have to explain magic?). While it may not be totally unique, Constable's magic is not your everyday, same-old-same-old magic.
Finally, a note on the characters. I disagree with 'Jennifer Mo "ailanna"'s evaluation of them--I personally found Trout to be the least interesting or convincing character. He just didn't seem to "fit in" to Tremaris like the others did. Calwyn is, I admit, a little bit typical of a fantasy heroine, yet this didn't keep her from being very likeable. The other characters, especially Mica, are (for the most part) interesting and unique. Haalsa, at least in this book, is a little bit...boring. He seems to be a mystical, perfect, wise, "close to nature" guy, which is not incredibly interesting--at all. However, he has his problems, too: because of his chantment, his people have rejected him. Also, we have to give him a bit of a break--he only has a few chapters in this book. Sure enough, in the next book Haalsa's character is developed more, he has some problems, and I started to like him better.
Speaking of the next book--Waterless Sea is at least as good as, if not better than, Singer of All Songs. Nearly all the characters are explained and deepened, as well as some more regions of the country. While Singer of All Songs ends on a rather pathetic note, Waterless Sea has an amazing--and VERY surprising--ending.
So, to sum up: Singer of All Songs is quality fantasy, especially because it is so unique for that genre. 4.5 of 5 stars.
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